Music Stems: How to Send and Receive the Right Files for Your Music Project

When sending files between musicians, songwriters, producers and mixers, there can be a lot of confusion over what is being sent. For starters, some people call them completely different things (stems, files, tracks, exports, etc). Then there are people who are not sure what type of stem to send (.wav, .mp3, .m4a, etc). For the sake of simplicity for this post, I’ll be calling them Stems throughout. Just know that there are several terms for the same thing! Let’s get into it:
A Step-by-Step Guide to Getting the Right Music Files
1). Establish what the client’s end product should be
Generally, the client wants a completed song unless they plan to mix it themselves. Therefore they will probably receive a single stem in .wav format that is mixed to their liking. Why .wav? Here is a mini breakdown of each type of stem:
- Wav – These are “lossless,” high quality, uncompressed and better for burning to a cd (not that anyone does that anymore, haha)
- Mp3 – These are compressed, smaller and easier to send, but you do lose some quality on them. I upload my reels to the internet in mp3 because they’re smaller and easier to access, but I send clients wav.
- Aif or AIFF – These are Mac versions of wav files (although both PC and Mac can read them). They’re actually pretty similar to wav, but I’m used to wav stems so I just don’t use them.
- M4a – This is an mp4 stem that contains only audio. It’s more complicated than this, but if you want to know more details about each stem I will put helpful links at the bottom for you!
So, it would be helpful to the client if they just received a wav or aif file because those are of the highest quality, but I have had clients ask specifically for mp3 and I will of course send whatever they like.
2). Establish how each musician will send files to each other
Here’s where it gets the most complicated. I send my raw (unedited) vocal stems in wav format to the producer. He gets an m4a stem from the guitar player that has some reverb added to it, which he can not remove after it has been exported. The bass player sends an mp3. The drummer sends a zip file containing five separate aiff tracks. The producer now has to go back and reset each file to the kind he or she wants (if that’s even possible, they may need to ask the bass player to resend in a lossless format) and either has to deal with the reverb the guitar player added or ask them to remove it.
In order to avoid this extra work for the producer, mixer, client, etc, it’s easier to determine up front what all musicians will be sending. For most of my session singing jobs, I send a raw wav stem unless instructed otherwise.
3). Make sure everyone knows how to export and format properly
If you have a session musician who is younger or new to the process, they might not know how to do all of this. I will include a link at the bottom to some step-by-step instructions, but here is a video I made in case that helps you:
4). Make sure everyone names their stems correctly
This is one of my musical pet peeves. I will get a song from someone and the title is just “Track01” or “Demo Track.” This does not help me when I’m looking for it later, and I’ve had many clients do this. I probably have 50 files named “demo track” on my computer. Please be specific! The stem name should include the title of the song and what it is. For example, “Tangerine_LeadVocal,” “Tangerine_HarmonyVocal1,” “Tangerine_HarmonyVocal2,” etc. Imagine being a producer and every musician sends a completely random named track. You have to then find each track on your computer (amidst all the other similarly vaguely named tracks) and put them together. For the project’s simplicity, please name your stems “SongTitle_InstrumentPart.” This is such a big help! /rant
Be kind to your fellow musicians. Properly label your stems with 'SongTitle_InstrumentPart.' Click To Tweet
If you’d like to learn how to export stems from your specific DAW, here are just a few:
Logic: https://support.apple.com/kb/PH13231?locale=en_US
ProTools: https://www.sweetwater.com/sweetcare/articles/intro-to-pro-tools-how-to-export-your-mix/
Cubase: https://ask.audio/articles/export-tracks-cubase
For others, just google “how to export stems/files/tracks in (your DAW)”
If you’d like to learn more about the different kinds of stems, here are some good resources that explain each one in more detail:
http://www.makeuseof.com/tag/technology-explained-what-is-the-difference-between-mp3-mp4/
How to Convert iTunes Tracks to Different Formats: 5 Simple Steps!
[…] few weeks ago, I wrote a post all about stems and why proper export is so important! I provided a video explaining how to export them. Later I […]
Dry Stems - A Brief Overview – Mella Music
[…] I submit stems (files, or tracks, see my post here about those) to clients, I usually submit them dry. I record everything into my DAW. Each track is then […]
Bryon
This is really helpful, thanks.
Zeroed Out: What it is, Why it Matters and How to Do it – Mella Music
[…] you zero out a track (or file, or stem), you flush it so that it starts at the beginning of the song. For example, as a session singer, my […]
Shayan
Thanks for website
Good content for this website and helpful website
Best of luck
Martyn
Hi, Martyn here from SOUND7
Really informative article and ability to export correctly and easily is often overlooked, DAWs like Logic Pro have many options that can be bewildering to new users so it’s good to see you included this.
Thanks
MellaMusic
MartynThank you Martyn! I plan on updating this article soon so if you see anything I left out please feel free to let me know!
Colin Austin Turner
Hi Mella,
Thankyou, for your very well presented information.This is a great help to me, now I have ( like many others) to learn to adapt to a new normal in song collaboration
methods.
james
Very well explained. Usually people neglect that naming their stem correctly is very useful and you have explained it very well.
james recently posted…about us